Vocal Music Editions

Sample pages have been provided from each edition. These are copyright, and are not necessarily indicative of the standard of difficulty of the whole edition.

Prices on this page do not include Australian GST. Australian residents please add 10%.

This edition by Rosalind Halton is based on two mss in the Santini Collection in Munster. The cantata dates from June 1699. This edition comprises score and parts, with the keyboard part realised. A full translation is also provided.

 

 

A fabulous piece for singer and basso continuo, this edition prepared by Nicholas Routley features some extra sections not normally found in other editions. These sections occur in only one or two manuscripts and are usually ignored. The accompaniment is realised, and there's a part for the singer with the figured bass.

 

 

A cantata for male alto voice, recorder, two violins and b.c. Edited by Rosalind Halton, this is great new repertoire for any countertenor.

 

 

A first edition of this charming cantata for soprano, cello obbligato and basso continuo, edited by Rosalind Halton. Continuo part is figured bass, not realised. Score and parts, with critical commentary and translation. Sample page is of the first Aria.

 

 

 

Another lovely cantata from Colombani, this time for soprano, violin and cello obbligati, and basso continuo. , edited by Rosalind Halton. Continuo part is figured bass, not realised. Score and parts, with critical commentary and translation.

 

 

 

See other editions in the viol consorts section. Plenty of editions for voices and viols!

Some, such as SM21, 32, 33, 38, 41, 56, 74, 86 and many more are transcriptions of vocal works, and include full text which would allow performance with one or more singers with viols.